

It's always interesting to note the amount of detail in these illustrations. They're really not necessary, since we're only using storyboards to establish or highlight motion and/or composition, but it's reflective of Miyazaki's great, obsessive skill as an artist. He's able to effectively communicate action and movement with still drawings, and I think this is an essential skill for an animator. A different artistic approach than the standard, Westernized style (read: Disney), but closer to comic books or graphic novels. But, for me, these feel more cinematic, more compelling. They have a greater sense of gravity to them.
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